About

Dr. Gindi-  courtesy of Braschler / Fischer

Dr. Gindi - courtesy of Braschler/Fischer

ABOUT

Dr. Gindi is a Swiss-German sculptor whose work centres on the human figure and ongoing enquiry into infinity within the human existence.

Modelling is at the core of her practise. Through posture, weight, gesture, contour and surface, she gives precise physical form to moments and states of human experience. The body provides the limits within which this enquiry takes place: it has mass, scale, material, presence and boundary.

Under the overarching proposition Modelling the infinity of our Existence, Dr. Gindi asks how a finite human form can make something perceptible that is not exhausted by the particular moment or state it embodies.

Her work has been presented internationally in museums, galleries and art fairs and has received recognition through awards and juried exhibitions in Europe, Asia and North America.

Explore her works

ARITISTIC STATEMENT

Modelling the Infinity of our Existence

1.     Human existence takes radically different forms.

2.     Human beings pass through states that alter, disappear, and return.

3.     Each state is real while it is lived. No single state defines a human being.

4.     Contradiction belongs to the range of human existence.

5.     Modelling gives manifestation on human existence a specific body and material presence.

6.     Sculpture holds in finite form what human existence continually changes.

7.     Infinity lies in the continual unfolding forms of human existence.

8.     I sculpt the infinite within the finite.

BIOGRAPHY

Trained in sculpture at The Florence Academy of Art, where figurative modelling became the technical foundation of her practise. She also holds a doctoral degree from Freie Universität Berlin.

Her work has been presented internationally in museums, galleries, art fairs and juried exhibitions. These include the Russell-Cotes Art Gallery & Museum in the United Kingdom, KuBe in Beacon in New York, VOLTA Basel, The Swiss Triennale of Sculpture in Bad Ragaz, the Salon des Beaux Arts in Paris and the Society of Portrait Sculptors in London, alongside exhibitions in Switzerland, Belgium, the Netherlands, Spain, India and the United States.

Her sculpture Me in the Self received the Best Contemporary Self-Portrait Award from the Portrait Society of Canada and was shortlisted for the Ruth Borchard Self-Portrait Prize. Her work has been also selected for the Art Renewal Center International Salon, The National Sculpture Society Annual Awards Exhibitions, Figurativas and the Society of Portrait Sculptors.

Dr. Gindi’s work has been featured in international art and cultural publications including Hyperallergetic, Philosophy Now, Interalia Magazine, ArtDependence, Meer and Art Plugged.

Timeline

 

Exhibitions

Exhibition Catalogues